A layered American interior — sculpted hardwood, tailored upholstery, woven natural fibre
House — Baker McGuire

A century of American craft,
under one roof.

Two American legacies, brought together within a single house. Baker — refined, globally inspired, defined by more than a century of American luxury furniture. McGuire — Californian, material-led, working in cane, rattan and hand-bound rawhide.

Baker McGuire

Founded by Siebe Baker in the late nineteenth century, and joined a century later by McGuire of San Francisco. Two American houses, with different temperaments and a shared workshop discipline.

A formal Baker drawing room — tufted ivory sofa, klismos chairs, brass-edged cocktail table on a sisal rug
A textured corner — bouclé curved sofa, woven rattan armchair, sculpted black-oak side table beneath fluted timber walls
A layered American drawing room — sculpted walnut sofa, woven cane lounge chair, hand-bound rawhide pillow, late golden light through a tall arched window
Walnut, cane, late afternoon
A sculptural figured-walnut sideboard with hand-polished brass pulls, set against limewashed plaster beneath a quiet ochre canvas
Figured walnut, hand-polished brass
Inside the house

Two legacies,
one continuous library.

Baker has long defined American luxury furniture — refined silhouettes, globally drawn references, more than a hundred years of cabinetmaking heritage. The collection holds the architectural register in a room: tailored upholstery, sculpted hardwoods, considered proportion.

McGuire works in a quieter, more material-led language — cane, rattan, bamboo and hand-bound rawhide, made in the Californian craft tradition. It brings warmth and texture into more architectural interiors without losing refinement.

Specified together, the two read as a single library — designers move freely between formal and relaxed, hardwood and fibre, within the same scheme.

A composed dining room — walnut console, faceted brass-trimmed mirror and linen armchairs
Walnut, brass, faceted mirror
A quiet dining room — round walnut pedestal table, linen armchairs and a kinetic mobile against a plaster wall
Pedestal walnut, linen, plaster
In the hand

Hardwood, fibre,
hide and cloth.

Tailored linen upholstery and walnut frame on a Baker lounge chair
I · Tailored linen on walnut
A leather-topped bench on a stacked brass rod base, raked light casting a graphic grid shadow across pale oak
II · Brass rod, leather, raked shadow
A breccia marble pedestal table and ivory linen chair on pale oak
III · Breccia marble on pale oak
Materials & finishes

Hardwoods, woven natural fibres, leather, linen and hand-applied finishes — selected to move comfortably between more formal architecture and relaxed interiors.

A broad finish library, COM capability and material flexibility allow collections to adapt naturally across residential and hospitality projects.

01 · Woods & finishes

Walnut, oak and darker architectural tones alongside softer, lighter finishes designed to shift the mood and formality of a piece.

02 · Woven materials

Rattan, cane and natural fibres that introduce texture, warmth and spatial lightness without overpowering a room.

03 · Upholstery & leather

Tailored upholstery, leather and COM options designed to support layered interiors across both traditional and contemporary spaces.

Up close

The work of the hand,
held to the eye.

Hand-bound natural rawhide lashing wrapping a sculptural rattan frame — the McGuire signature
Hand-bound rawhide on rattan
Stacked leather hides hung in the atelier behind a freshly upholstered linen chair
Hides, linen, atelier
A serene sitting room in late afternoon light — a curved cream sofa flanked by a pair of linen armchairs, brass-footed side tables and a low oval coffee table beneath sheer drapery
An entry vignette — a caned occasional armchair beside a stone-topped console with a sculptural driftwood object and tall black-framed mirror
Across the room

A house designed
to live across many.

Baker McGuire works across the architecture of a home — a tailored sofa in the drawing room, a rattan dining chair in the kitchen, a hardwood bench in the entrance, a woven lounge within a quieter sitting space. Different materials, different levels of formality, held together through proportion, texture and atmosphere.

More than a century of American craftsmanship sits behind the house — Grand Rapids hardwood, San Francisco rattan, and generations of workshop knowledge shaping pieces designed to endure beyond trends or moments.

Designers including Barbara Barry, Thomas Pheasant and Jacques Garcia have contributed to the house over time, helping shape a portfolio that feels refined, restrained and comfortably lived with rather than overly decorative.

In the workshop

Inside the workshop,
where the pieces are made.

A short film from the workshop — frames cut and joined, hides cut and bound, finishes laid by hand.

A sunburst mirror in pale gesso and brass above a woven oak console with a marble top, set against panelled plaster
In the project

Drawn into
each scheme.

Finish, scale, upholstery and material can be adjusted across the collection — pieces drawn into the architecture and atmosphere of a particular room rather than dropped into it.

Valley & Laurel works alongside designers throughout — finishes, textile references, COM, sampling, bespoke enquiries, project coordination. Quietly, and through the project.

Explore the catalogues · →
Across the house

From the entrance
through to the quiet rooms.

A bedroom in soft sage limewash — a curved bouclé headboard, walnut bench and chest, faceted mirror catching low light
A close detail of a reeded walnut sideboard with antique bronze pulls — alabaster lamp, marble vase of white tulips, fluted plaster wall behind
Reeded walnut, alabaster, fluted plaster

A reeded walnut sideboard at the entry, alabaster glowing against fluted plaster. A curved bouclé bed set quietly against soft sage limewash. A walnut bench at the foot of it; a faceted mirror above the chest. The house carries through the architecture of a home in registers — formal, transitional, restful — without ever raising its voice.

Pieces are drawn into rooms rather than dropped into them — proportion, finish and material chosen to settle within the plaster, the rug, the cloth at the window, and the way the room is meant to be used.

The Valley & Laurel showroom at Chelsea Wharf, layered with finish samples, upholstery and woven materials
An invitation

See Baker McGuire
in the showroom.

Experience the collection within the Valley & Laurel showroom at Chelsea Wharf — layered materials, finish samples, upholstery, woven textures and the atmosphere of the house in person.

Showroom · Chelsea Wharf, London

The best rooms
hold contrast quietly.

Baker McGuire

London Showroom · Chelsea Wharf